This week the New York times posted a posthumous article from late author, essayist and professor Tony Judt and his love for New York City. Here are some excerpts from the article:
But just what is a “world city”? Mexico City, at 18 million people, or São Paulo at near that, are unmanageable urban sprawls; they are not “world cities.” Conversely, Paris — whose central districts have never exceeded three million inhabitants — was the capital of the 19th century.
Is it a function of the number of visitors? In that case, Orlando, Fla., would be a great metropolis. Being the capital of a country guarantees nothing: think of Madrid or Washington (the Brasília of its time). It may not even be a matter of wealth: within the foreseeable future Shanghai (14 million people) will surely be among the richest places on earth; Singapore already is. Will they be “world cities”?
Judt continues on to state later:
And yet, New York remains a world city. It is not the great American city — that will always be Chicago. New York sits at the edge: like Istanbul or Mumbai, it has a distinctive appeal that lies precisely in its cantankerous relationship to the metropolitan territory beyond. It looks outward, and is thus attractive to people who would not feel comfortable further inland. It has never been American in the way that Paris is French: New York has always been about something else as well.
Wednesday, November 10, 2010
Monday, November 8, 2010
Hey future young planner…you’re sooooo screwed
Last week, I was on a panel speaking to college freshman majoring in architecture (you know, because BCPlanning is for the children) about the field of city planning and what planners do. It was a great discussion talking about the ins and outs of planning and most of the students seemed enthused about what planners and design professionals do for a living. Everyone on the panel was positive about the profession but stressed that we are in a recession so future planners are going to have to be very proactive and creative when finding their own path to their careers.
After the panel was over, I was talking to my colleagues on the panel when one of them said, “Should we really be encouraging theses students to go into planning when there is so much apathy internally in the planning and design world?” Did we do a disservice to these kids by not saying, “Look here kids, you’re first years in planning are going to suck…and that’s even if you find a job, you sorry bastards *insert evil Mr. Burns laugh.*” Now obviously our current opinions have shaped by the recession which has cut back our ability to do progressive planning due to a lack of funding and staff.
But honestly even before the recession I always told my office interns who were being promoted to planners that they have to be extremely patient and that they are going to have to do a lot of grunt work before they work on anything cool. This sounds like good advice for any young professional going into a job but you really have to emphasize it to young planners because planning schools do a bad selling jobs about the reality of being a low level city planner. Now it’s a tough sell, no one wants to discourage students from exploring and finding new avenues of how to do city planning. However it is unfair to sell students on the idealisms of Jane Jacobs and the theories of New Urbanism if they are going to be stuck reviewing permits at a zoning counter for a year or two. Granted being at the zoning counter will make them learn the tough ins and outs of planning but it’s a pretty damn brutal transition from school to work.

The Zoning Counter was prominently featured as one of the rings of hell in Dante’s Inferno
But back to the question, should we encourage student to go into planning? I’m sure in a few years when the economy is back on the upswing my answer as well as my colleagues would be a solid yes. But in the meantime my answer would be a cautious yes. The planning field is diverse enough where someone can literally make up there own path or start their own business. There are no easy paths right now in planning so if anyone plans to make it right now they are going to have make their own way. Good luck.
After the panel was over, I was talking to my colleagues on the panel when one of them said, “Should we really be encouraging theses students to go into planning when there is so much apathy internally in the planning and design world?” Did we do a disservice to these kids by not saying, “Look here kids, you’re first years in planning are going to suck…and that’s even if you find a job, you sorry bastards *insert evil Mr. Burns laugh.*” Now obviously our current opinions have shaped by the recession which has cut back our ability to do progressive planning due to a lack of funding and staff.
But honestly even before the recession I always told my office interns who were being promoted to planners that they have to be extremely patient and that they are going to have to do a lot of grunt work before they work on anything cool. This sounds like good advice for any young professional going into a job but you really have to emphasize it to young planners because planning schools do a bad selling jobs about the reality of being a low level city planner. Now it’s a tough sell, no one wants to discourage students from exploring and finding new avenues of how to do city planning. However it is unfair to sell students on the idealisms of Jane Jacobs and the theories of New Urbanism if they are going to be stuck reviewing permits at a zoning counter for a year or two. Granted being at the zoning counter will make them learn the tough ins and outs of planning but it’s a pretty damn brutal transition from school to work.

The Zoning Counter was prominently featured as one of the rings of hell in Dante’s Inferno
But back to the question, should we encourage student to go into planning? I’m sure in a few years when the economy is back on the upswing my answer as well as my colleagues would be a solid yes. But in the meantime my answer would be a cautious yes. The planning field is diverse enough where someone can literally make up there own path or start their own business. There are no easy paths right now in planning so if anyone plans to make it right now they are going to have make their own way. Good luck.
Labels:
Education,
Tales of a City Planner,
Zoning
Bringing Sexy Back
I was recently on a date and my date and I were making small talk trying to get to know one another, where we are from and what we do for a living. Now usually when I tell people what I do for a living, community planning, I met with two responses:
Response A: That’s really interesting, so you plan out whole communities? That sounds like a really cool job, tell me more!
Response B: Hmm, interesting. So wait, what do you do, you just look at plans all day?
The latter response is a little less enthusiastic than the former. So when I told my date what I did, I’m a community planner, I help communities, work with politicians, lead community plans…my date replied, “huh…that’s interesting.” I chalk that up to Response B. Now I will say that I usually humble about what I do and will talk down my job rather than talk it up. And that could be seen as a lack of confidence in what I do, which would say more about me than the job I do, I guess.
But her response led me to wonder, how can I make suburban community planning sound sexy? And I thought about what I do on a day-to-day level. Should I talk about variances and development plans…no, not sexy enough. Zoning battles and making maps…no, no, no still not sexy. Maybe I’ll gripe about my job, everybody likes talking down about their boss…but I work with communities so talking down about them just makes me seem like an asshole…so scratch that. Alright, I tell people I run community plans and that communities need me…but then that sounds like I have a god complex.
Really there is no way to make being a bureaucrat sound sexy. You can explain other professions quickly in one sentence that sound way cooler or heroic even if they are not. I’m a cop – I fight crime. I’m a firefighter – I fight fires. I’m a teacher – I teach our youth. I’m a planner – I plan communities…but only when there’s a consensus…and political will…and funding and years of effort and hundreds of meetings. Sexy.
Response A: That’s really interesting, so you plan out whole communities? That sounds like a really cool job, tell me more!
Response B: Hmm, interesting. So wait, what do you do, you just look at plans all day?
The latter response is a little less enthusiastic than the former. So when I told my date what I did, I’m a community planner, I help communities, work with politicians, lead community plans…my date replied, “huh…that’s interesting.” I chalk that up to Response B. Now I will say that I usually humble about what I do and will talk down my job rather than talk it up. And that could be seen as a lack of confidence in what I do, which would say more about me than the job I do, I guess.
But her response led me to wonder, how can I make suburban community planning sound sexy? And I thought about what I do on a day-to-day level. Should I talk about variances and development plans…no, not sexy enough. Zoning battles and making maps…no, no, no still not sexy. Maybe I’ll gripe about my job, everybody likes talking down about their boss…but I work with communities so talking down about them just makes me seem like an asshole…so scratch that. Alright, I tell people I run community plans and that communities need me…but then that sounds like I have a god complex.
Really there is no way to make being a bureaucrat sound sexy. You can explain other professions quickly in one sentence that sound way cooler or heroic even if they are not. I’m a cop – I fight crime. I’m a firefighter – I fight fires. I’m a teacher – I teach our youth. I’m a planner – I plan communities…but only when there’s a consensus…and political will…and funding and years of effort and hundreds of meetings. Sexy.
Wednesday, October 20, 2010
Pit Beef in Baltimore
I never knew Pit Beef was a local Baltimore foor staple until I moved away from the area.
Swipe: Humanitarian Design or Neocolonialism?
Here is a great article from Fast Company about Western Designers trying to provide humanitarian design and ideals to other parts of the world.
An excerpt:
Young designers want to do humanitarian design globally. But now that the movement is gathering speed, we should take a moment to ask whether American and European designers are collaborating with the right partners, learning from the best local people, and being as sensitive as they might to the colonial legacies of these countries. Might Indian, Brazilian, and African designers have important design lessons to teach Western designers?
And finally, why are we doing humanitarian design only in Asia and Africa and not on Native American reservations or in rural areas of the U.S., where standards of education, water, and health match the very worst overseas?
continued...
So is it imperialism? The answer is yes, whether we like it or not. It is imperialism because there is a not-so-subtle imposition of an ideological stance that "design can save the world," a claim that really isn't all that robust in the first place. If design really wants to change the world, then design must figure out how to give these people real political power. Until then, it's some very expensive Band-Aids. These are not hammer-and-nail problems. They are political-influence problems. Ignore these questions at your peril. They persist, whether your recycled-materials playground is a success or not.
A pretty great article. I think the issue here of trying to provide your own design ideals and beliefs to others not only apply to humanitarian relief efforts but to everyday planning efforts as well. Whenever a planner from outside a community is trying to enforce new standards from a community they are not apart of they are going to face some push back no matter how well they know the neighborhood. The bottom line is you are affecting other people's money and property and will not have to deal with consequences of your actions even if your efforts prove to be a success.
Most importantly the definition of success is what also scares people in communities on the receiving end of new design, aid or planning. A planner's design maybe successful but successful to whom?
An excerpt:
Young designers want to do humanitarian design globally. But now that the movement is gathering speed, we should take a moment to ask whether American and European designers are collaborating with the right partners, learning from the best local people, and being as sensitive as they might to the colonial legacies of these countries. Might Indian, Brazilian, and African designers have important design lessons to teach Western designers?
And finally, why are we doing humanitarian design only in Asia and Africa and not on Native American reservations or in rural areas of the U.S., where standards of education, water, and health match the very worst overseas?
continued...
So is it imperialism? The answer is yes, whether we like it or not. It is imperialism because there is a not-so-subtle imposition of an ideological stance that "design can save the world," a claim that really isn't all that robust in the first place. If design really wants to change the world, then design must figure out how to give these people real political power. Until then, it's some very expensive Band-Aids. These are not hammer-and-nail problems. They are political-influence problems. Ignore these questions at your peril. They persist, whether your recycled-materials playground is a success or not.
A pretty great article. I think the issue here of trying to provide your own design ideals and beliefs to others not only apply to humanitarian relief efforts but to everyday planning efforts as well. Whenever a planner from outside a community is trying to enforce new standards from a community they are not apart of they are going to face some push back no matter how well they know the neighborhood. The bottom line is you are affecting other people's money and property and will not have to deal with consequences of your actions even if your efforts prove to be a success.
Most importantly the definition of success is what also scares people in communities on the receiving end of new design, aid or planning. A planner's design maybe successful but successful to whom?
Labels:
Community Planning,
Design,
Humanitarianism,
Politics
Monday, October 4, 2010
Detroit shatters stereotypes of blight
Swiped from VBS.TV:
In August 2009, Vice published a story called "Something, something, something, Detroit: Lazy journalists love pictures of abandoned stuff," about the roving gangs of photojournalists prowling the empty city and feasting on its highly photogenic carcass. Since then, some of the worst offenders have abashedly changed their approach to covering Michigan's largest city. But most outlets are still fixated on the all-you-can-click pageview buffet that is "misery porn" of the decaying Motor City.
Last month, we traveled to Detroit with co-creator and star of the "Jackass" empire Johnny Knoxville to explore what lies gasping beneath the rubble of over-indulged industry, frighteningly embarrassing municipal mismanagement, and decades' worth of social and economic imbalance. What we found is a burgeoning class of creative young folk intent on rebuilding their communities and the city, despite being faced with a world that has already phoned in their city's obituary.
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