Pit Beef in Baltimore

I never knew Pit Beef was a local Baltimore foor staple until I moved away from the area.

Swipe: Humanitarian Design or Neocolonialism?

Here is a great article from Fast Company about Western Designers trying to provide humanitarian design and ideals to other parts of the world.

An excerpt:

Young designers want to do humanitarian design globally. But now that the movement is gathering speed, we should take a moment to ask whether American and European designers are collaborating with the right partners, learning from the best local people, and being as sensitive as they might to the colonial legacies of these countries. Might Indian, Brazilian, and African designers have important design lessons to teach Western designers?

And finally, why are we doing humanitarian design only in Asia and Africa and not on Native American reservations or in rural areas of the U.S., where standards of education, water, and health match the very worst overseas?

continued...

So is it imperialism? The answer is yes, whether we like it or not. It is imperialism because there is a not-so-subtle imposition of an ideological stance that "design can save the world," a claim that really isn't all that robust in the first place. If design really wants to change the world, then design must figure out how to give these people real political power. Until then, it's some very expensive Band-Aids. These are not hammer-and-nail problems. They are political-influence problems. Ignore these questions at your peril. They persist, whether your recycled-materials playground is a success or not.

A pretty great article. I think the issue here of trying to provide your own design ideals and beliefs to others not only apply to humanitarian relief efforts but to everyday planning efforts as well. Whenever a planner from outside a community is trying to enforce new standards from a community they are not apart of they are going to face some push back no matter how well they know the neighborhood. The bottom line is you are affecting other people's money and property and will not have to deal with consequences of your actions even if your efforts prove to be a success.

Most importantly the definition of success is what also scares people in communities on the receiving end of new design, aid or planning. A planner's design maybe successful but successful to whom?

Detroit shatters stereotypes of blight

Swiped from VBS.TV:

In August 2009, Vice published a story called "Something, something, something, Detroit: Lazy journalists love pictures of abandoned stuff," about the roving gangs of photojournalists prowling the empty city and feasting on its highly photogenic carcass. Since then, some of the worst offenders have abashedly changed their approach to covering Michigan's largest city. But most outlets are still fixated on the all-you-can-click pageview buffet that is "misery porn" of the decaying Motor City.

Last month, we traveled to Detroit with co-creator and star of the "Jackass" empire Johnny Knoxville to explore what lies gasping beneath the rubble of over-indulged industry, frighteningly embarrassing municipal mismanagement, and decades' worth of social and economic imbalance. What we found is a burgeoning class of creative young folk intent on rebuilding their communities and the city, despite being faced with a world that has already phoned in their city's obituary.